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07 October 2008
Moving, funny and not to be missed
 

The cast of The Mill Lavvies during rehearsal.

 
The opening night of The Mill Lavvies (Mk II) got a rapturous reception from a capacity audience at the Whitehall last night — and deservedly so (writes Andy Walker).
This courageous venture will keep Dundee laughing for a fortnight, and probably arguing for a lot longer. That’s where the courage comes in. To reprise and rework a work as iconic as The Mill Lavvies is inevitably to invite comparison with the original and, just as inevitably, some of the comparison will be unfavourable.

Judging by the spirited discussion among Lavvies aficionados in a nearby hostelry after last night’s performance, this is a debate that will run and run. What’s beyond argument, though, is that this is hugely entertaining and occasionally sublime piece of theatre that should be compulsory viewing for younger generations of Dundonians.

The triumph of Mill Lavvies II is the authenticity it brings to the time and place. This ‘Day in the Life’ of ordinary mill hands is a Dundee cake lovingly concocted by writer Chris Rattray and done to perfection by a cast who seldom falter.

Playing Archie, the lavvie cleaner and daftie, Graham Crammond gives a performance that evokes the character’s vulnerability and essential goodness.

Young Daniel Bruce made an assured debut as Beatles-daft Kevin, apprentice to Henny, the bullying Elvis-wannabe Teddy boy, played with swaggering energy by Paul Dundee. Stewart Preston, playing the permanently apoplectic Robert, was so convincing you feared he might have a stroke on stage.

Some of the sharpest dialogue in the play is between old hands Jim and Geordie, who are somehow both resigned to, yet unbowed by, the drudgery of their daily toil, and still capable of exploiting the comic potential of every situation.

This production, of course, lacks the input of the incomparable Mick Marra, and the songs that were such a feature of the original production 10 years ago are missing here.

Nevertheless, the musical component of the current show provides some of its sweetest moments, with subtle, almost surreal, choreography and a batch of catchy new numbers by Rattray, Stewart Ivins and Steve Cooney (CDs on sale in the foyer!)

Provocative yet affectionate, by turns moving and gut-wrenchingly funny, this Mill Lavvies is an enormously engaging piece of theatre. It shouldn’t be missed.